We’re back!

We're back!


And What A Journey It Has Been!


Dear Readers,

We apologize for taking a year-long break from blogging.  We’ve thought of you often.  What has kept us so busy?  Well, first, Wisteria from Seed appeared on the publisher’s website, then on Amazon.  Finally, with a loud thud, a box of books was dropped at the front door.  But Wisteria did not come with an instruction manual.

We wondered…


What now?


Well…Jeremy’s been invited to read from his poetry collection in places increasingly distant from home, including the prestigious Book Passage,  where Michael Manning, former Arts/Classical Music Correspondent for the Boston Globe, introduced him in a way that was simultaneously entertaining, informative, and erudite.  We thank all of the dedicated organizers and poetry-lovers who bring warmth and encouragement to the rooms where poets read.

A year ago we thought we’d be writing about how to find homes for poems in literary journals and then how to create a manuscript, but the list of topics has now expanded to include preparing for a book launch, hour-long guest readings, featured readings, interviews, book signings, and query letters  ––  all things we wish we’d known about at the outset.   In retrospect we can see that we knew people who knew many of the answers, but we did not even know what questions to ask.  We hope to help you, in our own small way, to avoid that feeling.

Time has passed, and this means that we, like you, have been hunting for homes for some new poems.  We can’t wait to have them read by editors and, fingers crossed, the readers of their journals.  There is something wonderfully mysterious about the idea of total strangers reading these poems. Imagine someone reading your poems while sitting on a park bench in a faraway city or reading them aloud to a loved one at the kitchen table.

So it’s time to return to where we left off.



Caxton press 2

William Caxton, who introduced the printing press into England in 1476, showing the first specimen of his printing to King Edward IV and Elizabeth Woodville, Queen consort of England, at the Almonry, Westminster (painting by Daniel Maclise).  Caxton is credited with standardizing the English language through printing.  A stone plaque on the wall of Westminster Abbey, next to the door to the Poet’s Corner, reads,”Near this place William Caxton set up the first printing press in England.” It is said that the spelling of “ghost” with the silent letter h was adopted by Caxton due to the influence of Flemish spelling habits.


Today there are thousands of small presses publishing truly fine literary journals.  The Poetry Editors at those small presses are always searching for poems that will be compatible with both their stated mission and their personal taste in poetry.   Large numbers of poems arrive each day, and editors hope to see something out of the ordinary, to be surprised.  So you will be trying to strike a balance between finding a journal where your poem fits perfectly and hoping editors might respond to a poem that is different from what usually crosses their desks.

Your quest comes down to this: 1) Since there are thousands of small literary presses, you want to discover the editors who are most likely to be interested in your poetry;  2) you need an orderly procedure, since discovering the perfect search pattern for each poem is too time consuming;  and 3) you would like to enjoy the submission process.




Fortunately,  a number of writers and editors have set up databases designed to help you narrow your search.  In earlier entries we described ten lists of literary journals we have used in the past — you will find all ten links below.

Remember, each database has been set up with different goals.  A database may let you narrow your search to particular poetic forms (sonnet, experimental, prose, haiku, etc…), to particular themes (nature, love, death…), to keywords (flowers, war, animals…), or to your choice of print versus electronic media.  There is even a list designed by Professor Louie Clay that is designed to protect you from scams.

Currently our three favorite databases are Poets & Writers , Review Review and Clifford Garstang’s Pushcart Prize Ranking.

And here are the six other links we described in earlier entries:  Duotrope (just google the journal name + “Duotrope” to see any of their free listings); New Pages; Winning Writers; Poetry Super Highway; Write Habit; and in the UK, United Press.


After you’ve narrowed your search to a few promising journals, go to their websites and read what the editors have to say on their homepage, and on their “About,” and “Submit” (or “Guidelines”), and “History” pages.  That will often give you a clear idea of whether these are journals that might welcome your poems.  (Sometimes a description of what the editors are looking for won’t be found until you get to their Submissions page, which is where we found the quote from the North American Review below.)

The editors will usually tell you what they’re looking for in a submission.  Sometimes they will tell you a little.  Sometimes they will tell you a lot.  Bear in mind that over time the flavor of a journal changes –– the journal may have found a new audience and changed its style accordingly; the editorial staff may rotate; or if the journal is affiliated with a college, the readers may be students who leave when they graduate.

We’ll close this blog entry with excerpts from the websites of four of the country’s most well-respected literary magazines.  The editors present their vision for their journals—like miniature essays on why we poets write.  We have found ourselves reading and rereading these gems, and we hope they will provide you with inspiration during the New Year.


from the homepage of Canary — A Literary Journal of the Environmental Crisis:

Canary is a literary journal that explores one’s engagement with the natural world. It is based on the premise that the literary arts can provide an understanding that humans are part of an integrated system. Our theme is the environmental crisis and the losses of species and habitat as a result of this ongoing disaster. Our mission is to deepen awareness of the environment and enrich the well-being of the individual and in turn society as a whole.


from the “About” page of The Yale Review:

Like Yale’s schools of music, drama, and architecture, like its libraries and art galleries, The Yale Review has helped give the University its leading place in American education. In a land of quick fixes and short view and in a time of increasingly commercial publishing, the journal has an authority that derives from its commitment to bold established writers and promising newcomers, to both challenging literary work and a range of essays and reviews that can explore the connections between academic disciplines and the broader movements in American society, thought, and culture. With independence and boldness, with a concern for issues and ideas, with a respect for the mind’s capacity to be surprised by speculation and delighted by elegance, The Yale Review proudly continues into its third century.


from the “Submit” page of The North American Review:

The North American Review is the oldest literary magazine in America (founded in 1815) and one of the most respected. We are interested in high-quality poetry, fiction, and nonfiction on any subject; however, we are especially interested in work that addresses contemporary North American concerns and issues, particularly with the environment, race, ethnicity, gender, sexual orientation, and class…Poems that are passionate about subject, language, and image are welcome, whether they are traditional or experimental, whether in formal or free verse (closed or open form)….


from the “History” page of AGNI: (most journals don’t have “History” pages, but they can be fascinating)

We see literature and the arts as part of a broad, ongoing cultural conversation that every society needs to remain vibrant and alive. Our writers and artists hold a mirror up to nature, mankind, the world; they courageously reflect their age, for better or worse; and their work provokes perceptions and thoughts that help us understand and respond to our age. Literature for literature’s sake is not what AGNI is about…Another important aspect of AGNI’s editorial history and vision is its abiding interest in the important cultural questions that concern us all, both domestically and internationally.  Most issues include work from multiple languages, and translations…




until next time,

Marsha & Jeremy

Leave a Reply

Your email address will not be published. Required fields are marked *